Get unrivalled full content editing. Our state of the art media editing suite allows us to trim, cut and merge your content with incredible precision.
Node based colour grading, allow us to apply pin point detail frame by frame with up to 12-bit colour. We can turn basic mobile videos into cinema worthy footage. There are no LUT’s used here as everything we grade, we do frame by frame to provide the sharpest most professional look possible.
Make
It
Epic
Digital editing just got an UPGRADE
Our state of the art media editing suite allows us to trim, cut and merge your content with incredible precision. Integra and tensor core upscaling helps take stander footage and turn it into a crystal clear masterpiece that can be rendered in up to 8K resolution without fear of washout or pixel blurring. DaVinci’s incredible Fusion workspace adds an insane amount of customisation to your content. Including 100s of transitions, Special effects and workflow tools all of which can be edited and tweaked to get your footage exactly how you want it.
Pick out B-roll footage, music and sound effects from your media pool, or use our huge collection of royalty free content. Our editors will synchronise your music with your footage for seamless and immersive content that is sure to attract attention.
We do the work but you are always in control, we send all our clients consistent feedback and progress updates to make sure your content is exactly how you want it.
Taking colour to the MAX
Node based colour grading suites like Davinci Resolve, allow us to apply pin point detail frame by frame with up to 12-bit colour profile. Davinci's ability to utilise state of the art histograms, vector scopes and waveforms work brilliantly to help us keep exposure, lighting and saturation graded frame by frame e to only the most professional levels.
We can turn basic mobile videos into cinema worthy footage by transforming there standard colour range to wide gamut and rendering in HDR. This allows us to utilise a much larger colour base to make your footage look richer and adds over 5X more depth.
There are no LUT’s used here as everything we grade, we do layer by layer to provide the sharpest most professional look possible.
Sound is POWER
Of all the things in your content arsenal, your music and sound is what will truly set you apart from the rest.
It will tell your viewers how to feel and will determine what they experience when they watch your creation.
Using Davinci resolves revolutionary DAW (digital audio workstation) Fairlight, allows us to apply the highest quality to any royalty free music and sound effects. Using Fairlight in combination with our Editing tools seamlessly synchronises your selected music with transitions from your footage to produce professional grade content.
Having trouble finding the music or sound your after? All cinematography edited by has has access to our vast array of high quality WAV royalty free music and sound effects.
Reach New Heights
Our state of the art media editing suite allows us to trim, cut and merge your content with incredible precision.
Node based colour grading, allow us to apply pin point detail frame by frame with up to 10-bit colour. We can turn basic mobile videos into cinema worthy footage. There are no LUT’s used here as everything we grade, we do frame by frame to provide the sharpest most professional look possible.
Our digital audio workstation (DAW) redefines what is possible, producing crystal clear, 3D audio, trimming out unwanted background noise, and synchronising your chosen background music with your footage and transitions.
No royalty license? No problem. All content edited by us has access to our massive catalogue of footage, music, transitions and sound effects.
Digital editing just got an upgrade
Node based colour grading suites like Davinci Resolve, allow us to apply pin point detail frame by frame with up to 12-bit colour profile. Davinci's ability to utilise state of the art histograms, vector scopes and waveforms work brilliantly to help us keep exposure, lighting and saturation graded frame by frame e to only the most professional levels.
We can turn basic mobile videos into cinema worthy footage by transforming there standard colour range to wide gamut and rendering in HDR. This allows us to utilise a much larger colour base to make your footage look richer and adds over 5X more depth.
There are no LUT’s used here as everything we grade, we do layer by layer to provide the sharpest most professional look possible.
Capturing every moment
DJI MINI 3 PRO
Our DJI Mini 3 Pro is our go to for tight spots, and at 249 grams It can be flown in many areas that our bigger drones can’t. Don’t let the size fool you though. This little drone is packed with features. It has a flight range of over 15 miles, a battery that lasts over half an hour, it has a 24mm, 1/1.3-inch, f1.7 CMOS camera, it can shoot 4k 60fps and supports D-Cinelike for after shot editing.
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Weight: 249 g
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Flight Time: 38 minutes
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Flight Distance: 8KM / 5 miles
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Obstacle avoidance: TRI directional
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Camera: 24mm, F/1.7
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Sensor: 1/1.3” CMOS
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Video: 4K/60fps, HDR, True Vertical Shooting
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Colour modes: Normal, D-Cinelike
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Picture modes: JPEG, RAW
DJI AVATA 2
A new way to fly. If you want footage that really makes you feel like your flying, FPV flight is your best choice, and there’s no better then the DJI Avata 2. Whoever thought of putting a 12.7mm F1.8 camera boasting a 1/1.3-inch CMOS sensor in an FPV DRONE was a revolutionary genius. This thing even shoots in D-LOG M! But that’s not the best part. This drone is small, light, fast and extremely durable. Meaning we can get close, REALLY CLOSE to what you want to film which is what FPV is all about. Well, that and diving over cliffs and mountain ranges.
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Weight: 377 g
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Flight Time: 20 minutes
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Flight Distance: 8KM / 5 miles
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Obstacle avoidance: Bottom
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Camera: 24mm, F/1.7
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Sensor: 1/1.3” CMOS
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Video: 4K/60fps, HDR
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Colour modes: Normal, D-LOG M